All posts tagged speaking

  • August 8, 2012

    Freelance journalism presentation at Walkley MediaPass student industry day, August 2012

    I was invited by the Walkley Foundation to speak at the Brisbane leg of their annual MediaPass student industry days, which are held at capital cities across Australia. The brief was thus:

    Surviving and Thriving as a Freelancer

    Find out how to pitch a story, network and negotiate contracts. Featuring:
    [from left to right, below]

    Before an audience of around 40 final-year journalism students at the Brisbane Powerhouse, we each gave a five minute presentation and then fielded questions from the audience for the remaining half-hour. I spoke on the topic of ‘twelve points for all beginner freelancers to keep in mind’.

    My presentation is embedded below. Click here to watch on YouTube. (Apologies for the footage being off-centre.) I’ve also included the text of my talk underneath.

    Twelve points for all beginner freelancers to keep in mind

    1. Freelancing, at its heart, is really just hustling. It’s learning how to support yourself through persistence, energy and ingenuity. That’s all. Learn how to hustle and you’re set. The only problem is that it takes years to learn how to hustle consistently.

    2.When you start freelancing, the learning curve is steep. You’re fighting against the world; fighting to be heard, fighting to get your name recognised, fighting to get paid. You probably won’t make enough money to pay your rent in the first year, which is why you should do other work on the side until you’re ready to freelance full-time.

    3. But eventually – perhaps years later – it becomes less of a fight. You learn to glide through the world rather than struggling against it. You see things differently, with wiser eyes. You can dip in and out of conversations, projects, and work relationships with much less friction, because there’s much less to lose. You have less to prove, because you’ve already proven yourself to some extent.

    4. There’s a lot to be said for starting slow, though, and at the bottom. For example, I wrote for street press, essentially without being paid, for nearly two years before I decided that writing and journalism was what I really wanted to do. From there, it was a slow process of me working out how to get paid for what I really wanted to do.

    5. Find your gap in the market, but be patient. After doing freelance journalism for a few years, I eventually realised that my gap is to read between the lines and write about what others aren’t. That’s when I’m happiest. That’s not to say that all of my writing consists of that kind of work. I’d say less than half of my income comes from writing those kinds of investigative feature stories. It’s worth pointing out that I only had this realisation in the last 12 months, too.

    6. I definitely didn’t know my gap in the market when I started freelancing. In fact I had very little idea of what I was doing when I started freelancing. I just did it. I followed my interests, and my instincts, and kept knocking on doors. Some opened, some remained closed. When I started freelancing, music journalism was the only kind I did. Gradually, other interests took hold, and now music is one of many topics that I write about. I’d likely never have found these other interests, or that I could write about them, unless I’d started with music, though. So don’t be afraid to specialise early. You never know where your career will lead if you just keep at it.

    7. Hunger can’t be learned, only encouraged. You, and you alone, must be hungry enough to want to succeed. This is an inbuilt character trait, I believe – you can’t be taught to be hungry. You’ve got to be serious, and dedicate yourself to your work, if you want to succeed at freelancing.

    8. Your professional reputation is everything. Guard it with your life. Act with integrity at all times. Don’t do things in private that you wouldn’t be comfortable with, if it became public.

    9. Make a list of the best practitioners in your field; your favourites. Consume their work over and over. Work out why you like them and what they do that appeals to you. Then think about how you can put an original spin on their approach, or their approaches. It’ll take you a while to find your style and voice in any creative medium – writing, photography, comedy, illustrations. Don’t rush it. I’m not even sure if you can rush it, anyway. It’s a process that can’t be short-cut.

    10. Surround yourself with allies. Not necessarily other freelancers. Not necessarily people working in the same field as you. But you should start building up a support network, and regularly keep in touch with as many of those people as you can, because some of your best work will arise from one-off meetings or incidental friendships. Allies are important because freelancing is generally a solitary activity. Everyone needs to communicate with others at some stage. Best to start early.

    11. Be wary of anyone who glamourises the so-called “freelance lifestyle”. Most of freelancing is incredibly mundane. Seriously. Most of my days are spent alone at the computer. Some weeks I don’t even leave the house during my workdays. But there are definitely occasional glimmers of awesomeness that remind you why you’re doing this, and why you love it. Don’t get me wrong, freelancing is great, but to a certain extent it’s a job just like any other. There will be days when you won’t want to do any work. However, if you can push yourself to work even on those shitty days, you’ll eventually be a great freelancer.

    12. Don’t talk so much online. Just do good work, make meaningful connections, and be pleasant to everyone you meet behind the scenes. Try not to buy too much into meaningless talk-fests on Twitter and Facebook. Ultimately, you are the only person standing between success and failure. While you’re tweeting away your workdays, your freelance competition is quietly beating you. Don’t give them the chance.

    Elsewhere: I participated in the freelance panel at the Walkley Foundation’s last MediaPass student day in September 2011, too. Footage and text here.

    1 Comment / Public Speaking, Writing /

  • May 16, 2011

    National Young Writers’ Month 2011: ‘Why I Write’ entry

    I’m the Queensland ambassador for the first National Young Writers’ Month (NYWM), which runs June 1-30 2011. You can read all about what that entails here.

    Below is an entry originally posted on the NYWM blog. It’s a response to the question, “Why do you write?”

    Why I Write: Andrew McMillen

    As National Young Writers’ Month approaches, guest writers will be joining us to share their perspectives on why they write.  Today Andrew McMillen, our Queensland ambassador, talks us through his motivations.

    As a journalist, I write because I want to be engaged with society. I want to contribute. I want to tap new veins of research. I want to speak with people who matter about the issues that concern them, and tell their stories to the widest audience possible. I want to be involved; to ask questions, to challenge preconceptions, to dig beneath the surface veneer. I am still quite new to this, as I can probably count on two hands the number of my published stories that have achieved these goals. But these are the goals, nonetheless.

    That’s my stance on ‘why I write’ as of May 2011. It wasn’t always this way.

    The first time I was ever published, in any sense of the word, was in 2002. I was an eager member of an online video game community, to put it lightly. I spent hours each day contributing to discussions about all manner of topics with people across the world. I started writing news for the site; a process which, essentially, involved rewriting press releases and summarising new information garnered from other websites. Totally unglamorous – and actually, kind of dirty now that I look back on it – but at the time, I loved it. I felt engaged. Empowered. People were reading my articles, and coming out the other end knowing things that they did not know before! It was a breakthrough. I was 14.

    I didn’t uphold this (clearly unpaid) role for long, but I never forgot that first experience of being published. Of having people read my words, and react. Occasionally, throughout my teens, I’d find momentary inspiration in something. I’d sit down and put my mind to writing something outside of my high school assignments. A spirited defence of a friend’s band on a local message board. Over-earnest attempts at aping Tucker Max‘s style by recounting some drunken nights spent with friends. A live review of my favourite band, and how much it blew my mind. These stories never made it far, but it was the writing equivalent of flexing my muscles every once in a while. As with bodybuilding, if you don’t use the muscle, you’ll eventually lose it.

    I moved to Brisbane from Bundaberg in 2006. I began studying Communication. I didn’t have a good reason for doing this. It essentially came down to my parents pressuring me to study something; anything. Communication seemed like the course that would suck the least. Ultimately, I was wrong in this assumption – though since I’ve never studied anything else, I can’t really compare their suckiness – but I finished my course and got the certificate.

    That first year of university, I went to a few dozen live music shows. I liked music a lot, but I’d never really considered writing about it. Especially not for money. The concept seemed faintly ridiculous. Initially, it was something of an ethical dilemma: why should people get paid for writing about something that they love? (Sidenote: boy, has this view changed.) That year, I began avidly reading Brisbane’s street press – free newspapers, delivered weekly to record stores and venues across the city – as well as the handful of online music media sites that existed at the time. Eventually, I made the connection that the people reviewing shows in those pages, and on those websites, were doing so for free. They weren’t paying for tickets. And some of them weren’t great writers: their sentences were awkward, and their facts were wrong.

    After reading one too many poor reviews of a show I’d paid to attend, I decided to throw my hat into the ring by writing my own review. And sending it to a couple of editors: one street press, one online. Both liked what I wrote, and assigned me more reviews. It was June 2007. Over the months, what began mostly as a cost-saving venture as a university student eventually became something about which I’m more passionate than ever: comprehensive, unique live music reviews.

    Nowadays, I still review shows, but my attention has shifted toward meatier targets: namely, feature stories. Big, long, heavily-researched articles which require dozens of interviews in order to condense a wide range of viewpoints into a coherent narrative. This is way, way harder than going to watch a couple of bands and filing 300 words on how they performed – which was essentially the extent of the copy that I filed as a journalist (in the loosest sense of the word) between mid 2007 and early 2009.

    Clearly, the goal has shifted from gaining free entry into concerts. It’s now about telling stories, starting dialogues. Challenging. Provoking. All that stuff I mentioned in the first paragraph. But without those experiences along the way – first, thanklessly rewriting press releases about new Nintendo games, then the equally thankless task of reviewing live music in Brisbane – I wouldn’t be where I am now. While both why and how I write have changed immensely in the last few years, my belief in – and dedication to – the craft of writing only strengthens with each passing day.

    Andrew McMillen (@NiteShok) is a Brisbane-based freelance journalist for Rolling Stone, The Weekend Australian, The Courier-Mail and triple j mag, among others. He is also the Queensland ambassador for National Young Writers’ Month 2011. For more on Andrew, click here.

    For more information about National Young Writers’ Month, visit the NYWM website. If you’re a young writer, register on the website, set a goal, and join the conversation. It’ll be fun.

    If you’d like to contact me for an interview or to arrange media coverage of any of the above events, email me here.


    No Comments / NYWM 2011, Writing /

  • May 15, 2011

    Queensland ambassador for National Young Writers’ Month, 2011

    I’m the Queensland ambassador of the inaugural National Young Writers’ Month (NYWM), which runs from June 1-30 2011. On behalf of Victorian arts organisation Express Media, it’s my job to inspire Queenslanders under the age of 25 to set themselves a writing goal. With the support of the National Young Writers’ Month community, they’ll (hopefully) be able to reach that goal during June.

    For more information on NYWM, visit the project website, where you’ll find forums, blogs, writing exercises, interviews and articles all designed to give you the tools to reach your own ambitions.

    I’m honoured to be a part of the first NYWM.

    With the goal of inspiring young writers in mind, I’ve organised three live events in the lead-up to June: two in Brisbane, and one in Bundaberg, my home town. I’ve wrangled together some of my favourite Brisbane-based writers – four of whom I’ve interviewed before; click their names below for those conversations – as well as two Bundaberg locals who’re well-versed in the craft of journalism.

    Event details below, in chronological order. Click the event names link to view their respective Facebook events.

    May 17: Talking freelance journalism with John Birmingham and Benjamin Law

    Under 25 and interested in a career in freelance journalism? Ahead of National Young Writers’ Month (NYWM) 2011 – which runs from June 1-30 – two of Brisbane’s best-known (and best-regarded) freelance journalists will discuss how they’ve built their lives and careers around writing and publishing words. Given the focus of NYWM, this free 90 minute session will be targeted toward aspiring (and current) writers and journalists under the age of 25.

    John Birmingham (@JohnBirmingham) is the author of the cult classic He Died With a Felafel in His Hand and, more recently, thrillers such as Without Warning, After America, and the Axis Of Time trilogy. He also wrote the award-winning history of Sydney, Leviathan. He began his writing career as a freelancer for national magazines like Rolling Stone and Australian Penthouse. He currently freelances for The Monthly and The Weekend Australian, among others. He also maintains several weekly columns for Fairfax Media and his own blog, Cheeseburger Gothic, where he has a built-in audience of Birmingham-fanatics affectionately nicknamed ‘Burgers’.

    Benjamin Law (@MrBenjaminLaw) is a Brisbane-based freelance writer. He is a senior contributor to frankie magazine and has also written for The Monthly, The Courier Mail, Qweekend, Sunday Life, Cleo, Crikey, The Big Issue, New Matilda, Kill Your Darlings, ABC Unleashed and the Australian Associated Press. His debut book, The Family Law, was released in 2010 via Black Inc. Books. He’s currently working on his second book, a collection of non-fiction looking at queer people and communities throughout Asia. It has the working title of Gaysia. For more on Benjamin, visit his website.

    Andrew McMillen (@NiteShok) – the Queensland ambassador for NYWM 2011 – will facilitate the session. He’s a freelance journalist whose work has been published in Rolling Stone, The Weekend Australian, The Courier-Mail, triple j mag, Mess+Noise, TheVine.com.au and IGN Australia. He has been a fan of both Birmingham and Law for quite a long time, and was thrilled to interview them both in 2010 for The Big Issue and The Courier-Mail, respectively. For more on Andrew – who will do his best to contain his excitement at being seated on the same stage as these towering literary giants of Brisbane – visit his website.

    Attendees are encouraged to ask questions of the speakers at any point throughout the session. This event seeks to answer any and all of your questions that relate to careers in freelance writing and freelance journalism.

    Date/time: Tuesday 17 May, 6.00pm-7.30pm

    Location: Metro Arts studio, 109 Edward Street, Brisbane City.

    Cost: Free.

    May 20: Talking journalism with Christina Ongley and Janette Young

    Under 25 and interested in a career in journalism? Ahead of National Young Writers’ Month (NYWM) 2011 – which runs from June 1-30 – two of Bundaberg’s most experienced journalists will discuss how they’ve built their lives and careers around writing and publishing words. Given the focus of NYWM, this free 90 minute session will be targeted toward aspiring (and current) writers and journalists under the age of 25.

    Christina Ongley is the editor of the Bundaberg NewsMail and the Isis Town and Country. Her career in journalism began in Bundaberg in 1998, when she worked in the NewsMail’s newsroom for four years. During that time, her roles included reporter, feature writer, sub-editor, chief of staff and news editor. For the following six years, Christina lived and worked in the UK for a three-edition daily paper in Essex named The Echo, where she was soon promoted to news editor. Prior to her reappointment at the NewsMail, she was the media and communications executive for Surf Lifesaving Queensland.

    Janette Young is an editor and journalist of more than 30 years’ experience, starting in the newsroom of her local newspaper in the UK at the age of 18. At 26, she became the first woman editor in her newspaper group and from there moved on to work on The Times in London and at the Press Association in Fleet Street during the Gulf War. Since moving to Australia in 1991, Janette has worked within News Limited, West Australian Newspapers and APN News & Media. She was Assistant Editor with The Courier-Mail in Brisbane and subsequently with The Sunday Times in Perth, and in 2009 was a finalist in the Queensland Media Awards for Best Business / Property Report. During her career, Janette has been Launch Editor of a number of magazines and newspapers, and has lectured and tutored Bachelor of Communications students in Print Media, Media Law and Ethics and Online Journalism. For more on Janette, visit her website.

    Andrew McMillen (@NiteShok) – the Queensland ambassador for National Young Writers’ Month 2011 – will facilitate the session. A graduate of Bundaberg State High School in 2005, he’s now a Brisbane-based freelance journalist whose work has been published in Rolling Stone, The Weekend Australian, The Courier-Mail, triple j mag, Mess+Noise, TheVine.com.au and IGN Australia. For more on Andrew, visit his website.

    Attendees are encouraged to ask questions of the speakers at any point throughout the session. This event seeks to answer any and all of your questions that relate to careers in journalism.

    Date/time: Friday 20 May, 1.30pm-3.00pm

    Location: Bundaberg East State School library, 33 Scotland Street, Bundaberg East.

    Cost: Free.

    May 24: Talking feature journalism with The Courier-Mail’s Qweekend magazine staff

    Under 25 and interested in feature journalism? Ahead of National Young Writers’ Month (NYWM) 2011 – which runs from June 1-30 – three staff writers from The Courier-Mail’s award-winning Saturday magazine, Qweekend, will discuss how they approach their craft. Given the focus of NYWM, this free 90 minute session will be targeted toward aspiring (and current) writers and journalists under the age of 25.

    Matthew Condon is an author and journalist who served out his cadetship on The Courier-Mail in another century, and now edits Qweekend. His first novel, The Motorcycle Cafe, was published in 1988 and shortlisted for the NSW Premier’s Literary Awards. Since that first success, he’s either won or been shortlisted for nearly every literary award in Australia, for novels such as A Night At The Pink Poodle, The Pillow Fight and The Trout Opera. His most recent book is entitled Brisbane. Its narrative interweaves a historical analysis of the city with Matthew’s own experiences of growing up here. Released in August 2010, John Birmingham called it a book of “great beauty and depth” in his review for The Monthly. Mr Birmingham is completely correct.

    Trent Dalton (@TrentDalton) is a feature writer for The Courier-Mail. In 2010, he won a News Award for Features Journalist of the Year for the second time. He’s also an acclaimed screenwriter: his short film Glen Owen Dodds, which starred David Wenham in “an uplifting tale of love, faith, the meaning of life and other trivial matters”, was last year nominated for Best Screenplay In A Short Film at the AFI Awards. I’ve long believed Trent to be Australia’s best feature journalist, which I discuss at length here.

    Amanda Watt is a staff writer at Qweekend, a position she’s held since 2008. Highlights during this time include receiving a commendation at the 2008 Walkley Awards in the Magazine Feature Writing category; winning Best Feature at the Queensland Media Awards the following year; being ‘highly commended’ at the 2010 Walkey Awards for a Qweekend feature on internet child pornography; and being named as a finalist for Features Writer of the Year in last year’s News Awards alongside her colleagues Matthew Condon and Trent Dalton. A University of Queensland arts graduate, Watt has worked as a reporter and a feature journalist at The Courier-Mail since 1998.

    Andrew McMillen (@NiteShok) – the Queensland ambassador for NYWM 2011 – will facilitate the session. He’s a freelance journalist whose work has been published in Rolling Stone, The Weekend Australian, The Courier-Mail, triple j mag, Mess+Noise, TheVine.com.au and IGN Australia. A longtime Qweekend reader – some might say worshipper – he’s thrilled to have the opportunity to discuss feature journalism with three of Queensland’s best writers. For more on Andrew, visit his website.

    Attendees are encouraged to ask questions of the speakers at any point throughout the session. This event seeks to answer any and all of your questions that relate to careers in feature journalism. For more information about Qweekend, visit their website.

    Date/time: Tuesday 24 May, 6.00pm-7.30pm.

    Location: Metro Arts studio, 109 Edward Street, Brisbane City.

    Cost: Free.

    For more information about National Young Writers’ Month, visit the NYWM website. If you’re a young writer, register on the website, set a goal, and join the conversation. It’ll be fun.

    If you’d like to contact me for an interview or to arrange media coverage of any of the above events, email me here.

    No Comments / NYWM 2011, Writing /

  • March 17, 2009

    Hi, I’m Andrew

    I’ve been hesitant to press ‘publish’ of late.

    There’s so much bullshit flying around the whole marketing/social media fields that it’s temporarily killed my interest in both.

    Twitter has started to become more of a hindrance than a help, wherein the benefits of constantly monitoring my channel is increasingly outweighed by the cost. The Dunbar effect in action: following >150 people = discontent.

    But staring too deeply into the web’s bottomless pit can cause a loss of focus. It’s time to step back.

    My reality is this: I recently quit my job to focus on projects that interest me.

    I’m studying my final course toward a Bachelor of Communication. It’s a creative writing elective. It interests me greatly, as I’ve rarely dabbled in fiction or narrative writing.

    Incredibly, I look forward to class each week. Can’t say that I’ve felt excitement toward university very often as an undergraduate.

    This is the narrative introduction I used during the first creating writing tutorial:

    Andrew has stretched his three-year Bachelor of Communication into four years, in order to latch onto the Australian myth of tertiary education for as long as possible.

    This course was chosen as an elective because Andrew has always avoided writing fiction, but he has decided that 2009 is the year for trying new things.

    This yearning for new experiences is the reason why Andrew quit his first real job yesterday, and is also the reason why Andrew is travelling to Japan in June, although he does not know Japanese.

    Andrew is extremely fond of music and writes for two local publications – Rave and 4T – and one national website called FasterLouder.

    Andrew wrote and spoke this introduction in third person because he really likes the sound of his name.

    Such introductions are always interesting to write and speak, as one tries to find the balance between fact, humour, and appearing clever. Everyone wants to appear clever, always. Wit as a currency.

    2009_bioThis is the reason why my current bio [pictured right] makes me look like an asshole, although when I wrote it last year, I thought I was being clever.

    I’ve worked reasonably hard to keep this blog ‘clean’. Professional-like. I carefully consider everything that’s shared on here; whether it’s appropriate, whether it’ll reflect well on my character. Whether I’ll appear clever.

    I could trace this moderated perfectionism – which is perhaps dangerous and restrictive in itself – to the enormous amount of time I spent on video game message boards throughout my youth, effectively sharing my life with a bunch of strangers.

    Call it mature, call it neurotic, call it overly analytical. Or all three.

    The point is that since I want to be known as a writer, I need to improve my ability to articulate and share my thoughts.

    To this end, self-administered publishing filters aren’t very helpful.

    So I’m going to attempt to reduce their influence on my psychology.

    It’d be awesome if you could help me out, by calling me out on any unjustified or unclear bullshit.

    Hi, I’m Andrew.

    7 Comments / Writing /