All posts tagged network

  • CNET story: ‘Josephmark: the Australian architects of the new Myspace’, January 2013

    A feature for CNET Australia; my first story for the site. Excerpt below.

    Josephmark: the Australian architects of the new Myspace

    The Brisbane design studio tasked with rebuilding Myspace tells CNET Australia about its vision for bringing Myspace its sexy back.

    "Josephmark: the Australian architects of the new Myspace" story for CNET Australia by Andrew McMillen, January 2013

    Picture a racehorse wearing blinkers, galloping across the turf, completely oblivious to its competitors. The animal runs its own race, at its own pace, never for a moment considering whether it’s leading or whether it might ultimately win. This is the image used by Ben Johnston, co-founder of Brisbane-based digital design studio Josephmark, when describing the ethos of a unique Australian team that has just put the finishing touches on a refreshed version of Myspace.

    Speaking exclusively to CNET Australia, studio director Johnston was enjoying a rare opportunity to touch base in Brisbane with Josephmark’s general manager Carl Watney and creative director Jess Huddart. The studio’s 21-strong team has scarcely been in the same room in the last year, when Josephmark [pictured above] landed a contract to retool the world’s first truly global social network.

    Johnston prefers the racehorse-with-blinkers analogy because he lives by the same mantra in his personal life. “[The point is] not to win a race, but to not get distracted by what’s on either side of you,” the 29-year-old said. “You set your own benchmarks, I guess. That, joined with a sense of curiosity, is what drives us to work, to go beyond a brief — to invest heavily in our own learning.”

    The blinkers are evidently helping. All three Josephmark leaders told CNET Australia that they can’t name any other company in the design sector that they aspire to emulate. “There are aspects of other companies [that appeal], but I think we inherently live those traits,” said Johnston. “It feels good, because it means that as a company, we’re leading — even if we’re going in the wrong direction!” he laughed.

    Though Josephmark has driven unique web design projects in recent years — including real-time music chart We Are Hunted and Australian independent journalism hub The Global Mail — this is the first time it is competing on the world’s stage as Myspace’s design and vision partners.

    The pitch

    Five design studios were invited to tender for the Myspace partnership; four of those were based in North America. The invitation arrived at just the right time for Josephmark. “Past clients helped firm up our resolve about what we know, and how we know things can work, too,” said general manager Watney. “If you’re going to do something bold and radical, and it’s design-led, the design has to overcome bureaucracy and egos and whatever else might be involved, and actually push through it. We have to stick to our guns if we’re committing to something of this size.”

    Josephmark’s approach to the Myspace tender was straightforward. They simply asked themselves, “If Myspace was ours, what would we do with it?” Though the brief was “quite thorough”, creative director Jess Huddart said that the team soon decided to ignore it.

    “We looked at it and went, ‘if you do what you think you want, then we’re just going to end up creating what you already have. That’s not going to solve this massive problem that’s ahead of you’,” Huddart recalled. “Then we took ownership of it, and I think that’s a massive difference between us and perhaps other studios in their responses. Rather than just simply doing what the client’s asking you to do, we actually own it as if it’s our own project.”

    “There’s a certain boldness in that [approach],” admitted Johnston, “but effectively, it comes back to how we value our own time.” Josephmark didn’t approach the project with a pay cheque in mind. The studio saw this as an opportunity to make a real difference to an ailing, yet historic online media brand. “Obviously, there were certain things in the back of our minds, like, ‘it’s f***ing Myspace! Is there a chance for this thing to turn around?” And what would it take to turn it around?'” Johnston said.

    The solution developed by Josephmark was delivered as a video pitch — which Johnston described as a “two and a half minute narrative capsule with a voiceover that painted a picture of what Myspace could be” — accompanied by a more traditional pitch document. “Unbeknown to us, the video went down extremely well, to the point where [Myspace executives] called everyone in and showed the whole company, saying ‘this is where we’re going!’ This is before they even engaged with us.” That video then went on to be used in the company’s sales pitches as they sought potential partners.

    Josephmark’s pitch became the company’s decisive flag in the ground, allowing the company to state proudly: “This is what we’re doing.”

    For the full story, visit CNET Australia. More on Josephmark here.

  • Notes on Q Music’s PR, Promotion and Marketing Workshop

    I attended Q Music‘s workshop at the Troubadour last night. The topic was music promotion, marketing and public relations; speakers included Brent Hampstead (Media Hammer), Jo Nilsen (Butcher Birds), Megan Reeder (Secret Service/Dew Process) and Kellie Lloyd (Q Music/Screamfeeder). The venue was filled with seated bodies, mostly youngsters, who were privy to some valuable advice from the four experienced industry representatives.

    What follows is a series of notes I took in chronological order. It’s best to take each paragraph as a separate thought, though they are all joined under the umbrella of music promotion, marketing and public relations. My interjections are italicised.

    Introduction: marketing your music incorporates promotion and publicity.

    Steps as an artist:

    Record some music.

    Decide whether you’re distribute it online or in physical form.

    Write a marketing plan with specific targets. Budget? Street press goals? MySpace? Pitching to radio station? How do you plan to spend your budget?

    Decide and arrange how you wish to present your image as an artist. Use a creative photographer. 

    Conduct a cohesive launch of your product into the market.

    Create a community from a grassroots level – since that’s where you’ll be starting.

    Don’t overcommunicate your message; people have their own lives.

    Andrew: If they’re willing to take the time to listen to your music, that’s great. If they’re willing to reach out and communicate with you, that’s amazing. I don’t think enough time was spent discussing this. Getting a person to hear your music in an accomplishment. Being remarkable enough for a person – not a friend, family member, or acquaintance – to take the time to add you as a friend, send you a message, give you feedback on your creative output – that’s incredible. That’s to be cherished. It’s the equivalent of a person stopping you in the street and commenting on your appearance. That shit rarely happens. If I were a musician, I would not take my first fan for granted. The first ten. The first hundred, the first thousand. Attention is a scarce resource, and I think this is absolutely worth keeping in mind.

    Personalise your responses to any feedback or thanks, wherever possible. To be successful and valuable at any level of media, ensure that you engage in personal, polite and professional feedback.

    Acquire or subscribe to the Australasian Music Industry Directory (AMID). This contains key information that you’d otherwise spent hours Googling. Brent mentioned that the importance of the AMID was one of the strongest take-away points.

    Electronic press kits aren’t used much anymore. Instead, press releases via email – bio, photo, compressed mp3.

    Mailing physical copies of your recorded CDs is a waste of valuable merch money. These products are just added to a pile in an office and are easily ignored.

    Megan suggested targeting blogs before street press. She didn’t really expand on this. Jo mentioned Before Hollywood, Is By Bus and Turn It Up To Ten.

    Megan explained that Dew Process have people devoted to digital content creation and maintaining interest in their artists, through MySpace updates, video blogs, regular content to reminder each artist’s fanbase of their activity.

    Brent stated that you should think about online content as early as possible. Record and document as much as you can, as you’ll never know when you’ll want or need it. Andrew: This is an important point that they didn’t really dwell on – this generation has greater access to information and the ability to record and publish than any other. The cost of storage and data is constantly decreasing. Take advantage of this.

    Brent mentioned Short Stack as a great example of a band who have built a strong online community around them which has translated into success, popularity, tours and a record deal.

    Some web companies will provide content for free. Jo mentioned Moshcam, who’ll record your show (in Sydney) and provide you with a DVD recording free of charge. Andrew: This sounds a little hard to believe and requires further investigation.

    LastFM, FasterLouder, Mess+Noise, FourThousand and The Dwarf were all mentioned as valuable online resources and communities that should be leveraged on a local, national and international level.

    How do you attract people to your site, or your online community? This relates to setting out a coherent marketing plan. Target, in order: blogs, street press, newspapers, community radio, JJJ, television.. solidify each community before moving on. Andrew: They forgot to state that this takes time and requires patience, and dedication. But I guess that goes without saying.

    Prepare a biography that tells a story. How do you want to be presented? Answer the obvious questions – how you met, where the name came from – to avoid these being repeated in interviews. Though you’ll always get writers who have under-researched. Brent stated that your bio needs a hook – you need to give someone a reason to want to read about you.

    Print media runs on two types of lead times: long and short. Bigger publications such as Rolling Stone and Jmag tend to set a deadline six weeks in advance for the majority of content. Street press generally run on a one or two week lead time. Online is shorter again, due to the ability to quickly turn around content. Andrew: I just discovered that Rolling Stone Australia has no online presence. What a missed opportunity.

    Set a release date for your product – single, EP, album, gig – and work backwards from that point. Stick to it. Plan ahead so that you’re not caught out. Organise marketing efforts – remember, this incorporates promotion and publicity.

    With regard to street press – don’t hound them. Politely request interviews, reviews, features. They’re generally nice, but constantly under pressure to turn content around on a weekly (in the case of Rave, Time Off and Scene) or monthly (Tsunami) basis. The best way to get your name out is to gig regularly and be heard. Social proof! Again, Brent stated the importance of personalised invitations – in the mail, if you’re willing to go to the effort, since it will often be appreciated. Email costs nothing and takes little time.

    Extensive discussion which indicated that Richard Kingsmill decides whether you’re played on JJJ and effectively holds the keys to your national career. No one commented on how sad this is. Brent cracked a joke about how JJJ is taxpayer-funded: if you’re a taxpayer, it is your right to be played on the station! Though perhaps you’ll require greater tact than this to improve your chances.

    Create a network of friends – interstate bands, radio announcers, street press and blog writers. If they like you, they’ll become your champion. Andrew: This is absolutely true. Word of mouth musical recommendations are still my biggest influence; if the word’s coming from a respected or esteemed mouth, then I’m highly likely to listen.

    Being a musician is a constant juggling act: releases, gigs, merch, press, radio. Brent stressed the importance of multiple impressions across as many media as possible. Be relentless! But don’t overcommunicate. The more impressions that you’ve got circulating out there, the more potential eyeballs and ears to see and hear your output.

    Advice on approaching bands, promoters, street press, radio, or anyone throughout your life in general -just ask. Put yourself out there. Be tenacious, and sneaky on occasion. If you’re serious about making this work – what the hell are you holding back for?

    Advice on the music industry in general – be meticulous, patient, and prepared. Always.

    Andrew: Hopefully this’ll be of some use to those who missed out, or whoever stumbles across these notes in the future. The above summarises the thoughts and opinions of four music industry figures in late 2008. It’ll be interesting to look back on this post in 12 months’ time.