All posts tagged new-zealand

  • Matters Of Substance story: ‘The Snowball and the Avalanche: Medical Cannabis in Australia’, July 2016

    A feature story for the May 2016 issue of Matters Of Substance, the quarterly magazine published by the New Zealand Drug Foundation. Excerpt below.

    The Snowball and the Avalanche: Medical Cannabis in Australia

    Stories of personal suffering, where debilitating symptoms are eventually eased by medical cannabis, are appearing ever more frequently in the news. Andrew McMillen argues it is these sorts of stories that have engendered compassion in Australia, eroding the stigma around medical cannabis use and paving the way for science and more evidence- based legislation.

    Matters Of Substance story: 'The Snowball and the Avalanche: Medical Cannabis in Australia' by Andrew McMillen, July 2016

    The story of medical cannabis in Australia is much the same as in other countries around the world that have tiptoed this path before us. Here across the ditch, as in New Zealand, the United States and many other advanced economies, it is a situation where two strange bedfellows have been pitted against one another: stigma and science. For many years, because of their preconceived attitudes, staunch opponents of illicit drug use have remained wilfully blind to the benefits of medical cannabis experienced by sick people. Here, as elsewhere, this is not a campaign for the impatient. Change is slow, often painfully so, as it relies on a willingness for opponents to reconsider their positions in light of compelling evidence.

    In the last few years, though, the situation has appeared to change rather quickly and dramatically. The appropriate image is that of a single snowball rolling down a hill, gradually gaining mass and momentum until it forms an unstoppable avalanche. To this end, a raft of touching personal stories have been told in the national media. As a result, many state and federal politicians have sensed a shift in public sympathy towards sick people who are attempting to access medical cannabis without further complicating their lives by crossing paths with the criminal justice system.

    Support for plant-based medicine has gone mainstream, as evidenced by a July 2014 ReachTel poll that found that almost two-thirds of Australians believe cannabis should be made legal for medical purposes. It is telling that compassion is the driving emotion here, rather than fear – long-time advocates might well wish they had cottoned on to this tactic earlier.

    These personal stories don’t come more dramatic and heart-wrenching than Dan Haslam’s. In fact, his journey to accepting and using medical cannabis has become emblematic of changing attitudes to the drug across Australia. Dan was the snowball, and his descent down the hill began when he was diagnosed with terminal bowel cancer in February 2010 while living in the regional New South Wales (NSW) city of Tamworth. There, the then 20-year-old eventually discovered that the only treatment that soothed his nausea and stimulated his appetite while undergoing chemotherapy was cannabis. His parents wished there was another way. The fact that his father was head of the Tamworth Police Drug Squad made this desperate decision even more ethically and legally tortured than usual.

    To read the full story, visit Matters Of Substance.

    Further reading: my book Talking Smack: Honest Conversations About Drugs, published by University of Queensland Press in 2014.

  • The Vine album review: Die! Die! Die! – ‘Form’, August 2010

    An album review for The Vine.

    Die! Die! Die! - Form album coverDie! Die! Die!Form

    By now, Die! Die! Die! have assured their allegiance to a idiosyncratic punk-rock aesthetic: gritty, bottom-heavy, and consistently confronting. Like the New Zealand trio’s previous releases, Form contains a sound most unlike many other bands on the planet. Their hyperactive rhythms inspire vivid imagery of movement, of change, of progress. Form – their third full-length, and their first under the banner of legendary Kiwi indie Flying Nun Records – marks an evolution in the band’s songwriting, most notably in frontman Andrew Wilson’s guitar parts. He regularly alternates between a clean, jangly tone – usually during the verses – and punches one or more overdriven effects during the chorus. His playing isn’t formulaic, though, nor predictable; instead, his vocal and six-string contributions form the melodic basis amid the rhythmic bedrock laid down by bassist Lachlan Anderson and drummer Michael Prain.

    Musically, Die! Die! Die! describe a man-made wasteland built upon deceit, treachery and wasted potential. Their soundtrack is drums, bass, guitar and vocals. The images they conjure are frequently alienating, yet curiously, this music is addictive. Its disembodied, abrasive nature still manages to communicate a human warmth.

    Full review at The Vine.

    More Die! Die! Die! on Facebook. This album is brilliant. Video for the Form track ‘HowYe‘ embedded below.

  • The Vine interview: Die! Die! Die!

    Technically, this is my first video interview for The Vine. You wouldn’t know this if I hadn’t told you; although it took place via a Skype video call, it’s still published in plain text.

    New Zealand indie punk band Die! Die! Die!Andrew Wilson of Die! Die! Die!

    Indie punk band Die! Die! Die! burst forth from Dunedin, New Zealand in 2005 with a hard-edged debut album that favoured abrasive noise over melody or song longevity. Their second release, 2007’s Promises, Promises doubled that album’s duration to 40 minutes, and saw the band exploring a more restrained style of songwriting without losing their characteristic urgency and impact.

    Three years later, their third full-length is due. To whet our appetites, they’ve released a new video [for ‘We Built Our Own Oppressors’, see below] and are touring Australia throughout April. The Vine’s Andrew McMillen video called Die! Die! Die! singer/guitarist Andrew Wilson [pictured left in the above image] in Auckland, to discuss outsider perceptions of New Zealand, supporting Marilyn Manson, history’s great Kiwi bands, and turning down European tours with Brian Jonestown Massacre.

    Full interview over at The Vine.

    Skype video calls are a wonderful interview tool, though my connection did drop out midway through. We hastily reconnected and pretended that nothing happened. How marvelous that we can speak to one another from our respective bedrooms in Brisbane and Auckland. I should have taken a screenshot. Next time…

    Die! Die! Die! are an excellent band and you should give them a try. Thanks to Joe Segreto @ IMC for hooking this up.