All posts tagged fourthousand

  • Neil Strauss, Addendum

    How I put myself in the position to spend 45 minutes with one of my favourite writers:

    1. Read The Game by Neil Strauss in 2007. Love it; re-read it several times. Buy a used copy from eBay and a new copy from a bookstore to lend to friends.
    2. Through Neil’s mailing list, receive information that Emergency, his new book, was due in March 2009.
    3. Email several people to find the Australian publisher of Emergency. (Answer: Text Publishing)
    4. Request a review copy of Emergency for FourThousand.
    5. Inadvertently receive two copies of Emergency from different publishers. (I’m still not sure how this happened.)
    6. Review Emergency for FourThousand.
    7. Send review link to Text Publishing to solidify that relationship.
    8. Through his mailing list, receive information of Neil’s forthcoming Australian book tour in June 2009.
    9. Contact Text Publishing to request an interview Neil on behalf of FourThousand. (This request was a near-certainty, given my relationship with the publisher.)
    10. Discover that Neil’s book tour omits Brisbane. Sadly, resign the interview to a 20 minute phone call.
    11. Meet with Nick Crocker on Sunday, June 21 2009. He suggests the unforeseen possibility of flying to Sydney to interview Neil in person. (Nick: “Since he’s such a massive influence, why don’t you spend a couple hundred dollars to fly down to make a better impression?” Andrew: “…” [stunned silence, having not considered this option at all])
    12. Later that night, book flights to Sydney to interview Neil in person.
    13. Fly to Sydney on Tuesday, June 23 2009.
    14. Meet Neil. Complete my biggest interview yet by having a conversation, instead of referring to questions point-by-point.
    15. Begin transcribing the conversation at Sydney Airport.
    16. Fly back to Brisbane, head full of inspiration.
    17. Per Neil’s advice, outsource the rest of the interview transcription; in this case, to Israel, to an excellent transcriptionist named Tamara Bentzur. (I found her by Googling “outsource transcriptions”.)
    18. Spend the next two-plus months pitching the interview feature to various magazines in an attempt to recoup the $300 airfares.
    19. Get rejected.
    20. Eventually post the entire interview – 8,000 words-plus – online, free.

    Regrets? None.

  • A Conversation With Jess, Sydney Digital Strategy Director and SomethingChanged.com.au blogger

    *facepalm*It just so happens that Jess is Digital Strategy Director at a mysterious Sydney advertising agency. She won’t say which, and she also won’t let me publish her surname. Or at leaIt’s not because she’s scared or nothin’, but on the internets, Jess is best known as the curator of a rather excellent blog called Something Changed, about which I wrote lovingly for FourThousand:

    “Something Changed acts as Jess’ digital scrapbook, where she posts about new media, advertising, online campaigning, representations of the self, kids today, words, writing and books, funny things on the internets, politics, art, ideas, music, work, food, and sydney. The result is an aggregate of content that you’ll probably find either funny or fascinating if you’re a twenty-something who spends a lot of time online – and since you’re reading this, it’s not an unfair assumption to make.”

    Jess, why did you start Something Changed? Was there an influential person or moment that encouraged its creation?

    I started Something Changed almost two years ago because I was fascinated by people’s behaviour on the internet and I wanted to document my discoveries. It was partly so I could archive and remember facts, figures and links more efficiently, and partly to have something to show for the immense amount of reading and research I do! I discovered Tumblr through Gawker’s exhaustive coverage of Jakob Lodwick and Julia Allison‘s relationship which largely played out on the Tumblr platform. Tumblr was perfect for me because I like to present raw data that interests me as I find it, rather than crafting long posts.

    Where do you find the majority of the articles that you link?

    On Tumblr you can post stuff you create, post stuff that you find online, or use their reblog feature (which is sort of an automatic “retweet” feature) to post other’s content with a link crediting them. About 75 per cent of what I blog is from the second category. I find it by either investigating a topic that interests my by searching and following links, setting up RSS feeds to my favourite blogs and websites, and by following people who I respect and who will post things I find interesting.

    Does your exhaustive online presence ever spill into your professional life? Do your workmates know of the blog?

    In fact the internet IS my job, lucky me! I work for an ad agency where I am the digital strategy director. Since I work on campaigns and strategy it’s considered part of my work. My workmates and bosses definitely know of the blog, I bang on about it exhaustively. In fact my boss promised to buy me a cake when I passed a big milestone in the amount of readers I had, but I passed it ages ago and he is still yet to come through. Two of them have started Tumblrs themselves. We all love the internet at work.

    Why the anonymity?

    Well I’m not really sure now! I was doing some big work for clients around which there is some sensitivity, and I didn’t want any posts to be taken out of context and my personal views being ascribed to the client. I think in the next few months I’ll probably get with the times and put up my full name. I’ve noticed all my peers in my industry do.

    Do you often give thought to how you portray yourself online and the legacy you’re building, or do you just throw it all out there?

    RING RING, BANANAPHONE!

    Something Changed started as mainly a vehicle for professional development and research and largely it still is. I barely ever talk about myself (apart from “I saw this, I read this, I ate this, I visited this”) or my feelings. So at worst it will be a record of what interested me at different stages of my life, which is fine. Thank god I have never posted a poem or ruminations on my relationships.

    What do you think Something Changed adds to the web?

    Lots of people in marketing and advertising view the internet from very very far away with a telescope. The world does not need another “how to be a powerblogger” blog or post on “how to measure social media ROI”. I like to think I see the raw internet – the amazing stuff people create, the intense stuff people say about their lives and feelings, the fascinating ways they represent themselves online. Then I try and distill that onto my blog. It’s like a little field study from an anthropologist completely embedded in the culture they observe. Having said that, I don’t recommend people see my blog as anything special – instead they should set up their own!

    As you said, you barely ever talk about yourself. But you also barely ever talk about why you find something interesting, or worthwhile posting.

    You’re right. I tend to like information that I view as primary sources – people who produce things from scratch, whether it’s blog posts about their lives of feelings, collating things that inspire them, producing amazing things likes videos or songs. Or academic analysis- people who take rigorous, well-informed approach to analyzing the internet and its sociology.

    I don’t have time for anything in between, that whole raft of “people who don’t really understand the internet talking in vague general terms about the internet.”

    I have things I definitely won’t post, like anything about swine flu, anything about that Best Job in the World tourism campaign, or tips to become a Twitter poweruser.

    Do many of your non-ad agency friends follow the blog? How do you describe the blog to a real-life friend?

    None of my friends that I’ve known forever are in the ad industry. They all read it, sporadically. When I refer to my blog I adopt a stupid mocking tone and say “my blawg.” If they ask about it I give a knowing smile and say, “I’m so famous on the internet you guys.” If a waiter takes ages to take our drink orders I’m like, “this would never happen to me on the internet.”

    You and I both spend a lot of time online. I’ve gotten to the point where I’ve develop a kind of bias in the way that I access information online. I start to overstate the way that I operate and assume that others follow similar methods; if they don’t, I become either amused or frustrated, depending on my mood. But that’s a curious aside. When did you become a heavy internet user, and how did your skills develop to the point that they’re at now? (Because let’s face it, good internets is a skill.)

    I know exactly what you mean. Good internet is definitely a skill. I am totally self taught, I didn’t even have email until 2000 or 2001. In 2003, someone at uni said, “email me a draft of your paper” and I said, “oh it’s pretty long for an email,” and then attachments were explained to me. I couldn’t use a digital camera until 2004. I couldn’t pirate music! It all sounds a bit embarrassing now.

    It was in 2005 then that I started using the internet heavily because I joined some forums. Before that, I had always thought of the “web” quite disparagingly, “who are these people? Read a book, or go outside.” Now it’s completely a part of my daily routine. It’s really changed my life – how I think, what inspires me, how I work, the people I’ve met.

    It’s helped that I can do it all day everyday at my work. Spending ten hours a day on something is a good way to get quite good at something. In every role I’ve had in my career, to do a good job I need insight into what people think and feel, a creative spark to generate ideas, and a plan to my implement strategy. So the internet is crucial to every single element, and my employers have always let me have free reign to work that way.

    Do you keep a private journal?

    No! I’m too self-conscious. If I want to remember how I felt about something, I do a keyword search in my Gmail and cringe at old emails I wrote my friends.

    How did you become digital strategy director at your agency? Was ‘good internets’ part of the job description?

    I met the CEO of my agency when I consulted on online strategy on a big national campaign he was working on. A few months later my position was created for me when I said I was ready for a new job – so there was actually no job description! I’m so lucky now that I get to do what I love with the cleverest team and the best clients.

    Neighbours: Fucking TerribleThe career path to Digital Strategy Director was not an obvious one. I was a journalist, then moved to Melbourne and could not immediately get a journalism job so I got a job doing the overseas publicity for Neighbours [pictured right *snigger*]. I only got the job because at the interview I told the producer, “You know it’s not too late to make Izzie’s baby Jack’s,” or something. Since I was spending my days trying to get freelance writing work I had had plenty of time to watch Neighbours fortunately.

    Of course part of my job was to look after the BBC’s Neighbours website. It was my first taste of a really intense online fan community. They had a forum and everything. I learnt so much from that job. That an official website will never be as fascinating as a fan website unless you let go of the PR reigns (why would you want to read about an actors’ theatre aspirations on our site when you could go to an unofficial site to read about their love life?). That fans create the best material, that fans really get upset if you make changes without consulting them. It was a crash course in Internet.

    Then I got to do my dream job being the Online Director doing national political campaigning, where I learnt about building movements – uniting people around taking action online and offline to achieve social change. Then I consulted on another big campaign, then I got this job. I always think of that thing people say, “the jobs the youth of today will be doing when they grow up haven’t even been invented yet.” At our Careers Centre at school they basically said girls could be Lawyers, Accountants, Gallery Curators or PRs.

    I’m assuming that you went to university. Tell me about your time there.

    I did! I went to uni to study English thinking I would have a career doing some kind of writing. In first year I became interested in social justice issues and for the first time paid attention to politics and current affairs. Before then I was strictly a reading, writing, art galleries, theatre type of person. So uni was fun, I did the student politics/share house/shop at Salvos/“feed yourself on $5 a day” thing until my last year. Then I got a full time newspaper journalism cadetship, and had to do my Honours year full time at the same time.

    Was that a difficult year? Did you ever question what you were doing?

    It was difficult. Fortunately it was things I loved doing – researching and writing. I’m also one of those people who needs to be busy to get things done. I like approaching big tasks (daily deadline of journalism combined with a yearly deadline of handing in a thesis) and strategically breaking them down in an efficient way. Having said that, I am never studying again. And whenever my friends say “I’m thinking of going back to uni,” I always say “NO! YOU FORGET HOW HARD IT IS!”

    How did you land the cadetship? Was it shit or awesome?

    I can't think of an alt-text for this one. It's a pretty sweet photo though, don't you think?

    I decided suddenly I wanted to be a journalist so I got a two week cadetship at a newspaper. I was lucky they gave it to me because I think now they only take people studying Proper Journalism at uni – a bit short sighted in my opinion, but I think it’s because the universities provide insurance. I got a story in the paper almost every day, including a huge feature on mobile phone use that was published in the Features liftout on the Saturday. The story is completely lame and I am so glad it’s not accessible by Google.

    After my two weeks the Chief of Staff said they were hiring a cadet, and would I like to apply? I said “yes”. I interviewed and didn’t get it – someone else did. But a few weeks later they phoned and said I could be a cadet anyway. So that’s how I got the job, and now the other cadet is one of my best friends. The cadetship was amazing. Every day as a general news reporter is different and being a journalist is like having a license to walk up to anyone and ask them anything you want.

    Do you read newspapers? Could you imagine being a full-time news reporter?

    I only read newspapers on the weekends: the Australian, the Sydney Morning Herald, Sunday Sun Herald and Sunday Telegraph. I get rid of all the Drive, Careers, Business and rubbishy sections. Then read the news, then the Lifestyle, then glossy lifestyle supplements. It’s a habit. Print will never die while people have weekend brunch routines to uphold.

    I can’t imagine being a full-time news reporter. I would love the thrill of finding a big story but miss the calming routine of planning and strategising in advance. I get a nice mix of thrillingly busy versus long term planning in my current work, so I wouldn’t go back.

    Lots of people view their time at university as instrumental in their personal development. What did you learn about yourself during that time?

    I learnt the same thing at uni that has proved true in the workplace. Studying and work (doing your actual job as per your job description) teaches you nothing. You have to do it and do it well. But everything fun, amazing, professionally exciting or leading to personal growth has always been thanks to things I do on the side. Whether that’s groups I joined at uni, friends I made on the internet, ideas and projects I’ve suggested at work, or new career opportunities I’ve conjured up. When I think about what my life would be like without my blog that I randomly started a few years ago… I just can’t imagine it!

    Something Changed is my favourite Australian blog. You’d best subscribe via email or RSS. Unsurpisingly, Jess is also quite lively on Twitter. Thanks for the interview, Jess!

  • A Conversation With Reggie Watts, American musician and comedian

    Reggie's hair causing storms to brewI spoke with musician/comedian Reggie Watts the week before his Brisbane Powerhouse show on May 23. For FourThousand, where a condensed version of this interview appeared, I wrote that “you should expect elements of beatboxing, poetry, live vocal looping and physical theatre among a highly improvised show that’s won Watts fans across the world.”

    In my review for Rave Magazine, I wrote that “Watts’ absurd humour is most potent when operating on a seeming stream-of-consciousness: his finely-tuned comedic mind happily deadpans rapidly-fired high-brow concepts and phrases, much to our amusement.”

    To get an idea of what Watts is all about, watch this video. Note that our conversation is directly transcribed, with little editing. Let me know how that works out. It’s also my first attempt at aping Wooooo Magazine‘s interview style.

    R: Check 1-2! Hi!
    A: Hello!
    R: Hey, whasuuuup?
    A: Hey Reggie, this is Andrew!
    R: [robot voice] How are you doing, Andrew?
    A: I’m good dude, how are you?
    R: [normal voice] I’m doing alright.
    A: What kind of mood are you in?
    R: Well, I don’t know. I was just showing my friend some things on the computer, and some effects pedals. So I guess I’m in a good mood.
    A: I’ve got two sets of questions for you, so it’s up to you to choose which one you want.
    R: Okay.
    A: I’ve got the serious, or the stupid questions.
    R: Serious or stupid questions. Hmm. That’s a hard one. I guess, maybe.. the stupid ones?
    A: Okay, we can try that.
    R: Depends on what ‘stupid’ means.
    A: Well, these are just random questions that I’m going to throw at you, to see how you respond.
    R: Okay, let’s do that. Sounds like fun.
    Reggie in wolf form, howling his ass offA: Do you have a power animal?
    R: Do I have a power animal?
    A: Yeah. An animal you think of in tough times, to get you through.
    R: I usually think of… wolves.
    A: A wolf?
    R: Yeah. My power wolf.
    A: That’s cool. Mine’s a dolphin.
    R: Oh, really? Dolphins are awesome!
    A: Yeah! They remind me of freedom, and I can just escape to that world and pretend I’m swimming in the ocean with my dolphin-friends.
    R: And they’re intelligent.
    A: Yeah, exactly! And I’ve heard they really like sex.
    R: They do like sex. They’re totally.. they’re awesome. They’re the closest to ‘us’ in the sea.
    A: Okay. How do you feel about baked beans?
    R: When I grew up, baked beans were essentially something you associate with poor families. You know, if you were poor, you got baked beans. So when I went to London for the first time and had the proper English breakfast, which includes baked beans, and I was like “whaaat? Why am I eating poor people food?” Which is a horrible thing to think, but that was just my programming. Now I really like them! It totally makes sense to me. I actually enjoy baked beans. It’s really weird.
    A: It’s a bit of a staple here in Australia as well. It’s not really associated with poor people, it’s just like a breakfast snack.
    R: Yeah, exactly! It’s not a poor people food at all here. It’s normal people food.
    A: What is your ideal breakfast?
    R: My ideal breakfast is probably the Swedish breakfast. It has sour milk, which you can’t really find anywhere except Scandinavia. And muesli. And toast, with fish. And you pull herbs right off of a little bush and have that with the fish.
    A: Whoa.
    R: Yeah, it’s pretty weird. But it’s a great breakfast and I always feel really good after eating it.
    A: You seem to prefer the cold breakfast over the hot breakfast.
    Baked beans: not just for poor peopleR: It depends. Sometimes I feel like eggy-weggs. But for me, cold breakfasts are a little more efficient than a hot breakfast. Those are more involved. The hot breakfast is something you sit down with and really HAVE the breakfast. Whereas if it’s muesli and soy milk, or yoghurt, you can just take it with you and eat it. You don’t feel like an asshole.
    A: Yeah, you can eat it in front of the computer, or whatever you want to do.
    R: Exactly!
    A: Whereas the hot breakfast, I associate that with, say, reading a newspaper.
    R: Yeah, you take your time. When you have time for breakfast – have a hot breakfast!
    A: Do you read newspapers?
    R: I don’t. I read all my news online.
    A: Me too. Did you ever read newspapers?
    R: I never did. I tried to, but I couldn’t get into it. I know people who just love to crack open that newspaper and smell the ink, but I just found it unruly. Every time I open up a newspaper, I just feel like doing a bit with it, like a gag. The sound of rustling paper – I just want to keep doing that perpetually, and never find whatever I’m looking for, and keep folding it endlessly. To me, the newspaper is more of a ploy than an actual informational tool.
    A: Would you ever date a blind girl?
    R: I would date a blind girl. Yeah. Why not?
    A: If she was a total babe.
    R: Absolutely. Yeah!
    A: What about a deaf girl?
    R: A deaf girl would be great, too!
    A: Do you think you could accurately portray your personality to a deaf girl?
    R: Absolutely, because a deaf girl can see. If she was deaf AND blind, then you’d have a little bit of a problem. But I’d probably hug her a lot, and she’d probably really respond to that.
    A: Yeah, she’d be really into touching. The tactile.
    R: Yeah. I guess I’d just have to find a new way to relate to someone. But human beings are pretty adaptable.
    A: Right on. If you knew you were going to die tomorrow, what would you do today?
    R: If I knew I was going to die tomorrow.. (speaks slowly) I would probably get.. like, a bunch of heroin, and do that, and then just talk to people on beaches, and have girls come over. Or something like that. (laughs) And have someone record it all, and then have someone remix it later.
    A: I took a look at your Vimeo page, and I saw that you’re getting into uploading videos on there.
    R: Yeah.
    A: Are you recording anything while you’re here in Australia?
    R: I might. Sometimes when I travel I feel like recording a lot. But so far I haven’t really felt compelled. I’ve taken some little videos with my phone that I might upload at some point. Sometimes I get really addicted to uploading. But I’m better at uploading photos, I definitely put photos up all the time. Videos are a little bit more involved. They take longer, it’s not as fun. Whereas a photo I can take it and upload immediately. And a video is just like (groans) “ughhhh”.
    Mass Effect. Watts is a fan.A: Do you play video games?
    R: I do like video games. But I don’t have a lot of time to play them. What usually ends up happening is that I find a video game and I just play it straight, for like a week, and then I’m good for a year. The last game I played – which they’re making another version of, I can’t believe it – it was an amazing, amazing game called Mass Effect, for the Xbox. If you like science fiction, especially 70s-style science fiction.. it’s futuristic, but it has a kind of Eno-vangelist sci-fi soundtrack. The plot is heavy, and deep, and the characters are amazing. It’s a really incredible game.
    A: So you prefer sitting in front of a TV to play games, rather than handhelds?
    R: Handheld’s alright. I have a DS. It’s good for travelling, but I would prefer to be immersed in a projected game. I’m going to get some HD head-mounted display goggles, and hook the video game console up to that so I can be really immersed. Just lay back on the bed and go for it!
    A: God damn, they make those?
    R: Yeah, they’re actually pretty cheap! You can get some high-def ones for $800 American dollars. Pretty fuckin’ cheap.
    A: So you’ve tried it out?
    R: Yeah. They’re great, they’re really light-weight. You wear them, and you have the stereo vision because there’s a separate monitor for each eye. It’s great.
    A: That’s awesome. Do you play poker?
    R: I don’t. I don’t like poker.
    A: You’ve tried to play?
    R: I’ve tried to, but it’s not fun. When everyone’s betting, it just seems overly, unnecessarily complicated. I would play poker just as long as I could make fun of poker the whole time. If I was allowed to, if people weren’t taking it too seriously. It’s such a silly game. Everyone’s monitoring each other. I understand that people are into the strategy of it, but at the same time, it’s just ridiculous.
    A: Yeah. It seems a pretty funny thing to devote your life to, being a professional poker player and learning how to watch other people play.
    R: Yeah. There’s an art to anything, but when I look at poker, I just think (groans) “Oh god.”
    A: “You guys are lame.”
    R: Yeah! “You guys suck!” (laughs) I don’t think that, it’s just funny to think about what people take seriously.
    A: Do you think people take you seriously?
    R: Probably not! I think they take me seriously in that they believe that I exist. But.. some people do. It depends on the context. When I have a conversation with someone, it’s pretty real, but when I give interviews and I’m in a weird mood, I might just fabricate a lot of things. But let the interviewers in on it. Just because I find that amusing.
    A: If you couldn’t rock an afro, which hairstyle would you have?
    R: I would probably do a mohawk. Some kind of weird, shaved-on-one side, spiky-on-the-other future punk-rock look.
    A: A giant mohawk? Like three feet high?
    R: Not quite a straight mohawk. It’d have to be something a little weird.
    A: Is there such thing as a free lunch?
    R: Absolutely. I have them all the time! (laughs)
    A: Who is your favourite Looney Tunes character?
    Tasmanian Devil: not schizophrenicR: That’s a hard one. I don’t know if I’d want to be him, but the Tasmanian Devil is pretty hilarious. I guess the most.. intellectual of the characters would be Bugs Bunny, so I’m gonna say that even though it’s pretty generic. He was the most balanced, and in control. He tricked people. I like that about him.
    A: Do you think that the bunny or the devil could potentially be your back-up power animals?
    R: I think that the devil could definitely be a back-up animal (laughs) He’s kind of like Animal from The Muppets. Basically, when he stops, he’s Animal, and then he just turns back into a brown tornado.
    A: Do you think he’s schizophrenic?
    R: I don’t think he’s schizophrenic. He’s just got a lot of energy. And he’s got a caveman mentality.
    A: How’s your hotel?
    R: It’s an awesome hotel! It’s very civilised. It has a laundry machine, and a dryer, a microwave, a little kitchen, and a nice shower.
    A: Is Trent [Barton, Zero Hour Collective] taking care of you?
    R: Oh yes. He’s a professional.
    A: So he’s not letting you wander out of his sight, so you can go and explore Sydney’s slums?
    R: No, not yet. I’m sure that will come in the future. As they all get more successful, I’ll get worse living conditions.
    A: You’re here for six weeks, aren’t you?
    R: Yeah, I leave on the 11th or 12th of June.
    A: You’re involved in the Sydney Festival, right?
    R: Yeah, Vivid Sydney. It’s kind of confusing, because there’s three things going on: Vivid Sydney, Smart Light Festival, and Luminous, the Eno festival. It’s a little confusing. I think next year, they’re gonna have to work on their branding. I get what they’re doing artistically, because I spoke to the directors recently, but I shouldn’t have to think about it. But whatever, it’s going to be a great festival. Their intentions are pretty humanitarian.
    A: Sweet. Do you Google yourself?
    R: I do, all the time. I use Google Alerts.
    A: Oh really? That was my next question. So you’re down with the technology.
    R: Yeah, man.
    A: You know what’s being said about you.
    R: Yeah. I’ve always loved communications technology. I’ve been rocking smart-phones since the first smart-phone. I’ve been using organisers since the concept of organisers came out. Commodore 64s, scientific calculators.. I’ve always had some kind of a computer or storage device, and once networking became online, then I was totally down with that.
    Windswept Watts, Dungeon Master.A: So when this interview is published online, you’ll be the first to know about it through Google Alerts.
    R: Yes! It’s fascinating. It’s a good thing, because there’s so much stuff out there. I think everyone should put an alert out for their name.
    A: When was the last time you cut yourself while shaving?
    R: Man, the last time I shaved was a long time ago! I would say, maybe, seven or eight months ago.
    A: Did it hurt?
    R: Sometimes it hurts, sometimes it doesn’t, you know? (puts on British accent) If it’s a light graze, then it doesn’t hurt as much. (laughs) I don’t know. Probably not. No. I’m going to say no – okay, yes, it does, it hurts. Sorry. (laughs)
    A: Do you believe masturbation is a sin?
    R: Well, I grew up Catholic, so probably at first, I did. But not for long, it didn’t really stop me as a kid. I was pretty.. haywire, as they say. But I don’t think so. I think it’s necessary! (laughs)
    A: I just can’t get how those devoutly religious people do it. Or don’t do it, in this case.
    R: It’s just about self-control. That’s all. Why else would someone deny something that happens naturally? It’s like if you wanted to start a religion and make up arbitrary things that people can’t do. Like, “you can’t pick up coins from the ground”, or “you have to avoid low-hanging branches”. Things of that nature, and then people accept it – “yes, of course!” – and then you give these stupid reasons for why you shouldn’t. And some people might start to believe that. It’s just the power of belief that gives the strength to limitations.
    A: Alright, I’m done with the stupid questions, so I might move onto some more serious ones now.
    R: Alright.
    A: Is that okay?
    R: Yup.
    A: Okay. At what time of day are you most productive?
    R: Sometimes it’s late afternoon, sometimes it’s late at night. So if I had to give you an hour, it’d be 9pm.
    A: Do you stay up late?
    R: Yeah, I usually go to bed at around 3am.
    A: Cool. Me too.
    R: Yeah. It’s the best time.
    A: Are you a procrastinator?
    R: Definitely.
    A: How do you deal with it?
    R: I hate it, sometimes. I just end up getting in trouble, being late, or not completing something.
    A: Have you gotten better?
    R: Yeah. It’s an ongoing battle with myself. The best way to deal with it is to just be on time. Keeping a timely manner is the best way to avoid it, but it’s hard for me, because I like waiting until the last minute. It’s just my personality.
    A: Did you go to university?
    R: I went to Cornish College Of The Arts in Seattle, Washington, for about two and a half years. I studied Jazz Voice.
    A: Did you leave your assignments until the last day?
    R: Of course. Always. Sometimes I didn’t even do ’em.
    A: You procrastinated so hard that you didn’t hand it in.
    R: Exactly. Which then moves beyond procrastination..
    A: Into, what would you call it.. failure?
    R: Yes, failure. (laughs)
    A: When someone meets you for the first time, how do you describe yourself?
    R: (pauses)
    Reggie on live loopA: Or do you just assume that everyone knows who you are, instantly, because you’re a mega-celebrity?
    R: No, no! That would be horrible to constantly assume that. “Don’t you know who I am?!” I don’t know, I guess I call myself an abstract musical comedian.
    A: So when you tell people you’re a comedian, do they ask you to tell them a joke?
    R: Sometimes, yeah.
    A: Does it shit you to tears?
    R: Not really. I either tell them that I don’t do jokes, or I just make up a really stupid joke that doesn’t make any sense. And they’ll be like “wow, I shouldn’t have asked that.”
    A: “This guy’s not funny at all!”
    R: “I don’t get it, how does he make a living?”
    A: I was watching the promo video on the Zero Hour site, where you explain that you investigate the absurd side of comedy. Does that come easily to you?
    R: I think so. It’s the way I’ve always seen life. I’ve always seen things as silly. Goofy. Even death, at times, can be goofy.
    A: I watched that CollegeHumor video of yours, which deals with a pretty humorous topic in a pretty serious way. Or at least it appears to be serious. Would you consider that video to be absurdist humour too, because it takes a non-serious topic into a serious context?
    R: Absolutely, yeah. It’s all about context and contrast. You take something serious and you expose how it’s actually absurd if you look at it through a different lens.
    A: From what I’ve seen, your act uses a lot of swearing. Does that come easily, too?
    R: I like swearing, but I like using it because it really gets the idea across. Or if you overuse it, then it becomes ridiculous. The audience wonders when it’s going to stop. It’s a fun thing to disarm people with, or to shock them into understanding that it’s not shocking. It’s just stupid.
    A: People get offended by certain words, and then if you overuse them to the point of absurdity, that says to people, “well, they’re just words, why are you getting so pissed off?”
    R: Yeah, you take the power away from it. And then sometimes people get angry because of that! “Oh, now we can’t complain about it, because it doesn’t mean anything!” Well, I’m sorry!
    A: “I’m sorry for being so clever!”
    R: Yeah. “You should have thought of it first!”
    A: How did the CollegeHumor [“What About Blowjobs?“] collaboration come about?
    R: CollegeHumor was co-founded by my former roommate, Jacob Lodwick. I met those guys through him. They’d come to my shows, and we’d explore the idea of doing something together. “What About Blowjobs” came about as a result of that. It was good!
    A: It was good. Do you ever experience gear failure on stage?
    R: Sometimes, yeah. But it’s just an opportunity to do something different, until it’s resolved.
    A: Because you’re all about spontaneous performance: “no two shows are the same”.
    R: Absolutely.
    A: Do you ever sabotage your own gear to put yourself at a disadvantage?
    R: (laughs) It’s kind of hard to do that. “Oh, I know who did that. I know what the problem is!” But no, it happens on occasion. It’s fine, I like it.
    A: When you go and see a show, what do you like to see?
    R: I like to see anything that’s really good. It can be serious, humorous, weird; dance, poetry, anything really, as long as it’s coming from a place of mastery. Of clear vision, or clear voice. That’s all that matters to me. Sometimes an idea isn’t fully developed, but it’s still great.
    A: Is your show an attempt to capture that clear voice?
    R: Kind of. The clear voice is the unclear voice in my show, but it’s a form of that, for sure. In my own way.
    A: What’s awesome about touring the world?
    R: Getting to know the world better.
    A: What sucks about touring the world?
    R: Not being able to stay healthy on the road, because you’re not living a consistent lifestyle.
    Yeo Choong: Fresh, good.A: How do you deal with that?
    R: You don’t, you just try to do the best you can.
    A: Suck it up!
    R: Yeah, try to take a long vacation.
    A: Okay, last question. What do you fear?
    R: What do I feel?
    A: Fear.
    R: I guess I fear irrelevance, and dying from some stupid health condition.
    A: In what kind of way do you want to die?
    R: I don’t want to die at all, but I don’t know if that’s possible yet. (laughs) But along the way, I want to do the best to treat myself well, and limit the possibilities of death happening early.
    A: Awesome, great outlook.
    R: Thank you.
    A: You’re up in Brisbane this week. The band supporting you are pretty kickass, you should check them out. They’re called Yeo & The Fresh Goods.
    R: Oh, cool man. I’m definitely looking forward to it.
    A: Thanks for your time, Reggie.
    R: Thank you! Goodbye, sir.

    Well, I hope that was mildly amusing. It was fun to do something different, right? More about Reggie at his site. He’s on Twitter, too.