All posts tagged feature story

  • Bite Magazine story: ‘Here To Help: Refugee dentist Dr Hooman Baghaie’, September 2017

    A cover story for the September 2017 issue of Bite, a magazine for Australian dentists. Excerpt below.

    Here To Help

    In high-achieving refugee dentist Dr Hooman Baghaie, Iran’s loss is Australia’s gain

    'Here To Help: In high-achieving refugee dentist Dr Hooman Baghaie, Iran’s loss is Australia’s gain' story by Andrew McMillen for Bite Magazine, September 2017. Photo by Richard Whitfield

    When he was 12 years old, Dr Hooman Baghaie’s family left their comfortable, middle-class life in Iran behind. This decision by his parents was made out of love and sacrifice: as members of a religious minority, they had experienced discrimination and persecution. The last slight was when their eldest son was denied entry to a college for gifted children after his father, Zia, had volunteered to the school’s administration that the family were followers of the Bahá’í faith. Suddenly, Hooman’s academic gifts were seen in a different light.

    There was no place for Hooman there, his parents were told, despite his excellent results on the entry exam. Nor was there a place in Iran for the Baghaie family, who had tired of this persecution. They knew there would only be more hurdles for their bright children in Iran, and they knew that other Bahá’ís had been jailed because of their religious affiliations. The eldest son’s rejection mirrored an earlier disappointment experienced by his mother, Betsy, who was expelled from medical school in 1988 on the basis of her faith. Like mother, like son.

    Yet it was in thumbing through her copy of Gray’s Anatomy that the seed for Hooman’s career was planted. Within a decade, the Iranian-born refugee would be safe and secure in Australia while immersed in studying oral health, and later dentistry, while on a path to fulfil the inclusive, community-minded spirit on which his faith was based.

    The family’s path to Australia was not simple or easy. They left behind two houses, two cars and his father’s well-established career in refrigeration engineering. The five of them—Zia, Betsy, Hooman and his two younger sisters, Helya and Hasti—spent nine months in limbo at an apartment in Kayseri, Turkey. They were asylum seekers, and on arrival, Zia went to the United Nations office to explain their situation. After carefully reviewing their case and confirming the truth of their allegations, the Baghaie family were awarded humanitarian visas to Australia, since Betsy had family members who lived in Geelong.

    Now 26 and living on the Gold Coast, Hooman Baghaie tells this story over cups of Persian tea and a plate of walnut biscuits. He lives in a high-rise apartment building in Southport that overlooks the ocean, and each morning, his bedroom is lit by a spectacular sunrise. Two days per week, he works as a dentist at a small clinic in Helensvale; during the remaining weekdays, he attends nearby Griffith University while studying his first year of a degree in medicine.

    His interest in the oral cavity has widened since he completed a Bachelor of Oral Health at the University of Melbourne in 2011, then moved north to dedicate himself to a Bachelor of Dental Science, which he completed in 2016 as a valedictorian at the University of Queensland. After medicine, he plans to specialise in maxillofacial surgery.

    Newly married in 2017, Hooman shares the Southport apartment with his wife, Maya, who works as a nutritionist. The pair share their Bahá’í faith and are devoted to fulfilling its tenet of improving the lives of others: she by advising people on their diet, and he by tending to their oral health needs. Theirs is a service-oriented partnership that looks outward, and asks: how can we help?

    To read the full story, visit Bite Magazine. Above photo credit: Richard Whitfield.

  • Red Bull story: ‘Inside The Mind of Aaron Bruno: AWOLNATION’, March 2014

    A story for Red Bull about the electronic rock band AWOLNATION. Excerpt below.

    Inside The Mind of Aaron Bruno
    by Andrew McMillen

    'Inside The Mind of Aaron Bruno' AWOLNATION story by Andrew McMillen for Red Bull, May 2014

    Chapter One: Nation Builder

    Minutes before the stage lights dim and he walks out on stage with his bandmates, Aaron Bruno carves out a few moments for quiet reflection. Long ago, his father handed over a nylon-string guitar and taught his son the rhythm part to ‘La Bamba’. While his old man played the lead riff and nodded in appreciation, the young boy became hooked by the strange power of these sounds.

    While the blonde Californian sits in silence, ruminating on a career marked by a series of draining trials that were passed only through sheer bloody-minded persistence, he’s drawn back to the present by a familiar, intoxicating sound. A smile spreads across his face as adrenaline courses through his body. There are no nerves, now, only excitement. Just out of sight, a teeming crowd is chanting the name of his band, over and over: AWOLNATION.

    It wasn’t always like this. There weren’t always chanting crowds and wistful backstage smiles. Aaron Bruno knows all too well the stinging disappointment of pouring his heart into music that doesn’t connect with the public. He has learned that there are few worse feelings than spending years honing songs and sounds that remain largely unheard.

    There’s an empty desolation that comes with playing show after poorly attended show; with releasing albums that gather dust on store shelves and in unsold boxes. All those long hours and spent energy – for what?

    Five minutes into AWOLNATION’s debut album, Megalithic Symphony, the singer – who wrote all of its music and lyrics – introduces the fourth track with a heartfelt message to his new legion of followers. “Thank you for listening again,” Aaron says over dramatic synth chords in the opening seconds of ‘People’. “Or for the first time, or for the last time. We share this moment, and I am grateful for this.” It’s the kind of genuine appreciation that could only come from a performer with over a decade of skin in the game, so to speak; from someone who knows what it feels like to be on the wrong side of popularity.

    “I’ve been through a lot of ups and downs,” he says. “I’ve been in two bands that were signed to different labels. We had all the hopes in the world to have some great success, and none of it really worked out that way.” Throughout his career, it’s been a case of two steps forward, one step back; an ongoing battle of attack and retreat, fought within the boundaries of several distinct musical genres, culminating with the electronic rock of his latest project. “So this time around, when AWOLNATION started to take off,” he says, “I feel it was well-deserved, if I may say so.”

    To read the full story, visit Red Bull’s website.

    Elsewhere: I also wrote about electronic production duo TNGHT for Red Bull in early 2014.

  • Red Bull story: ‘It Took Two: TNGHT’, January 2014

    A story for Red Bull about the electronic production duo TNGHT. Excerpt below.

    It Took Two
    by Andrew McMillen

    Red Bull story: 'It Took Two' by Andrew McMillen, about the electronic production duo TNGHT, January 2014

    Chapter One: Like Minds Attract

    The two young men stand in a small room, each holding a laptop and silently sizing up one another. One is a lanky, pale Scotsman named Ross; he is better known as Hudson Mohawke. The other, a shorter Canadian with Haitian ancestry, is named Lunice both on stage and in person. Following their work, it’s pretty obvious what both men specialise in: creating beats and layering melodies that convince even the most dance-averse to join the surging throng that crowds the stage.

    Exchanging pleasantries and making small talk backstage at festivals is one thing. To make music together is something else entirely. Though Ross and Lunice both possess extraordinarily high musical IQs, their keen ears don’t necessarily hear the same things. Nor is it a guarantee that they’ll be able to tolerate another living, breathing presence in the recording studio. Electronic music production is a pursuit that demands isolation, introspection and patience. Doubling the humans in the room rarely doubles the quality of the music. As they plug in their laptops, power up the sound system and crack their knuckles in anticipation of the work ahead, both men know that this collaboration, named TNGHT, will either be a disaster or a roaring success.

    It helped that they both had the exact same equipment at that crucial first session. “That’s been an issue for me before – you get in the studio with someone who’s in there using something else,” Ross says. He gives a heavy sigh to indicate his frustration. “It’s a hassle to get parts from one computer, take a USB drive, put it in this shit” When he and Lunice got together, there were no such impediments to creativity, as “it’s more simple to just do it on one computer.”

    The pair of them had both been using the FruityLoops digital audio workstation software for years, but their set-up was identical, even down to the Virtual Studio Technology interface and the plug-ins they both used. This partnership was clearly meant to be. “What’s funny is that we approach it completely different,” Lunice says. We use the same things, but how I see him work is sort of how you’d see somebody work with an operating system; they’d hit ‘search’ instead of just writing right away. And I guess that’s how the whole jam [mentality] comes from, because we’re not specifically [making] anything, we just make it happen.” Ross nods at his musical partner while sipping a gin and tonic through a straw, and says, “Lunice would do things that I would never think to do, and likewise.”

    To read the full story, visit Red Bull’s website.