Since a tragic incident during the filming of a music video, hip-hop trio Bliss N Eso has changed its outlook on life and music
On Monday, January 22, a 28-year-old man named Johann Ofner left his home on the Gold Coast to go to work in Brisbane. Muscled, tattooed and quick to laugh, Ofner was thrilled by the role he had landed as a stuntman in a music video for an upcoming single by Sydney-based hip-hop trio Bliss n Eso. He called his friend and business partner as soon as he was picked for the part, and learned that his hulking presence was required for a scene involving a poker game that is disrupted by armed robbers.
Ofner’s life was large and full, with key scenes, achievements and affirmations posted to his Instagram profile, where he had 19,000 followers. Many people knew him as Yogi, a nickname that had stuck with him since high school. An actor, athlete, stuntman and co-owner of a fitness training and lifestyle clothing business named AMPM, Ofner had recently recorded an appearance on the Nine Network television program Australian Ninja Warrior. It had not yet been broadcast, but he quietly hoped it might serve as the key to unlocking another level of his flourishing career in front of the camera. Ofner’s seven-year-old daughter, Kyarna, was an extrovert keen to follow in his athletic footsteps, as her own Instagram profile — set up by her dad — showed.
The music video appearance was for a song titled ‘Friend Like You’, the second single from Bliss n Eso’s sixth album Off the Grid, which this week went to No 1 on the ARIA charts. Built on a message about being able to rely on the support of your loved ones during tough times, and a powerful vocal hook by American soul singer Lee Fields — “Is there anybody out there feeling like I do?” — its optimistic motif was in harmony with the trio’s overarching lyrical themes. Such positivity has long since struck a chord with Australian audiences: Bliss n Eso’s previous two albums both debuted atop the ARIA album charts in 2010 and 2013, and both achieved platinum certification of more than 70,000 sales. The group’s last major national tour was seen by more than 55,000 fans across the country.
After a week-long production, the video’s final scenes were being filmed downstairs in a Brisbane city bar called Brooklyn Standard. From the closed set, Ofner posted media on his Instagram of the weapons that were being used in the poker robbery scene. “Our Asian gangster props today!” he wrote alongside a video of the firearms in their packing case.
During the afternoon, however, troubling reports emerged. Later, detective inspector Tom Armitt addressed media gathered near the bar and announced that a man had died as a result of wounds to his chest. Soon his identity would be confirmed as a 28-year-old stuntman who lived on the Gold Coast. Johann Ofner would not be coming home from work.
A story for Qweekend, published in the April 5-6 issue of the magazine: a profile of Brisbane Roar footballer Thomas Broich. An excerpt appears underneath; click the image below to view a PDF version.
His sublime skills made Thomas Broich one of Queensland’s most welcome sports imports. And his move from Germany not only revived his passion for football but gave Brisbane Roar a man for all seasons.
Story by Andrew McMillen / Photography by Russell Shakespeare
The Saturday morning sun warms the lawn as 20 or so men in orange shirts follow the path of a round ball. Players yelp after bone-shaking tackles and groan at the sight of missed shots skirting the crossbar. Complimentary coffee and bacon-and-egg burgers are on offer for the crowd that has gathered outside Ballymore Stadium in Brisbane’s inner-north Herston for this open members’ training session.
Wendy Shaw stands with arms crossed beside a sign that reads Beware: flying footballs. The 55-year-old supermarket manager hasn’t missed a Roar home game since the club’s inception nine years ago. She stares intently at number 22, a tall, tanned man with dark hair and green boots.
“He’s had a shave, that’s always a good thing,” she laughs. “That’s one of our superstitions – if Thomas has a shave, it means we’re going to win!”
Just out of earshot, attacking midfielder Thomas Broich is delivering cross after cross to the team’s strikers, who attempt to put the ball past goalkeeper Michael Theo. The 33-year-old Broich – who earlier this year played his 100th game for the club – has been a professional footballer for nearly half his life, and has been subject to intense media and fan scrutiny.
After a rollercoaster ride of a career throughout the 2000s in the German premier league, the Bundesliga – the world’s most attended football competition – Broich was near the end of his tether, and considering quitting. It took a timely transfer to a club halfway around the world to reignite his passion.
Since he first wore the orange jersey in the 2010-11 season, Brisbane Roar has been a consistent presence at the pointy end of the A-League, winning two of the past three championships.
A home game on March 22 saw the team secure its second premiership in four years; the match-winner arrived in the 92nd minute, when Broich attracted the close attention of four Melbourne Victory defenders before he passed to midfielder Luke Brattan, whose pinpoint strike sealed the game 1-0. The team heads into the finals series as favourites to take its third championship.
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So deafening was the buzz surrounding the young midfielder in the seasons leading up to his Bundesliga debut that a television journalist named Aljoscha Pause approached him in 2003 with a tempting offer: to be the subject of a feature-length documentary, the first such film portrait of a German footballer.
“I wanted to find somebody who would be charismatic enough to carry a whole film, and intelligent enough to reflect the business from inside – not an easy task,” Pause tells Qweekend. At the time, Broich was 22 and playing in the second-division Bundesliga; the project was initially scheduled for two years.
“It was meant to show me break through into a big club, or the national team,” says Broich. “Then it just turned to shit. Excuse my language!” He gives a sheepish grin, momentarily forgetting his well-practised media manners. “It went the complete other way. That’s when the project became interesting for completely different reasons – it wasn’t about the rise of a footballer any more, it was more about the fall of a footballer.”
Pause estimates that the pair spent about 400 hours filming together, over the course of eight years and several club transfers, first with Borussia Mönchengladbach (2003-06); later, FC Köln (’06-’09); and finally, with FC Nürnberg (’09-10). The pair became close during the process, which made Pause’s job more difficult; the line between filmmaker and friend became blurred. The result, Tom Meets Zizou, was released in 2011 and charts Broich’s youthful naivety.
Early on, the football press picked up on his preferences for classical music and philosophy, dubbing him “Mozart”. The youngster was eager to please, and played up to the caricature by posing for photographs while engaged in intellectual activities such as reading, chess, and playing piano. These points of difference weren’t particularly well received in the hyper-masculine world of professional football. Says Broich with a grimace in 2014: “I look at the young guy in the film and think, oh my god, you’re so stupid. Who do you think you are?”
Ultimately, the film chronicles an optimistic, skilled young player being gradually worn down by a ruthless industry. It was only when then-Brisbane Roar coach Ange Postecoglou travelled to Germany to offer Broich a lifeline that a fitting dénouement became clear.
“When I hit rock bottom, I made the decision to come to Australia, and that’s where the fairytale started for me,” says Broich. “For the first time in years, I was able to enjoy my football again.”
The film ends with the Roar’s spectacular first grand final in March 2011. Before a record home crowd of more than 50,000, Brisbane was down 2-0 to the Central Coast Mariners with just three minutes of extra time remaining. It would take something remarkable to claw back the scoreline. In response, Broich made a casual assist in front of goal to the Brazilian striker Henrique, who netted the chance and made it 2-1. Then, in the 120th minute, Broich sent a corner kick onto the head of fellow midfielder Erik Paartalu, who tied the game, resulting in a penalty shoot-out won by the home team. It was Broich’s first championship trophy. He was 30 years old.
In August 2010, I interviewed Australian UFC fighter George Sotiropoulos for a story in Australian Penthouse [‘Caged Fury’, pictured right]. You can read an edited version of that interview here.
Below is the full transcript of our conversation, including a couple of touch-ups by George via email afterwards.
Andrew: My research tells me that you had a history in amateur boxing in Australia before you decided to start travelling the world to learn other styles of fighting. I’m interesting to know what you found attractive about mixed martial arts (MMA) in the first place.
George: Boxing was the last type of amateur competition I did before fighting mixed martial arts. I already had an extensive background in Jiu-Jitsu, Submission Grappling, and Freestyle Wrestling before I started Boxing. Boxing was the last stop that I made to round off my skills in preparation for Mixed Martial Arts (MMA). I started with Jiu-Jitsu to develop skills in ground fighting. Then I added wresting to learn takedowns. Finally, I implemented boxing to add striking to my skill set which got me ready for MMA.
Why did you decide to stick with MMA?
I decided to do MMA before I decided on anything else. I saw UFC back in ’97 at a friend’s place one night before heading out, and I basically decided then that’s what I wanted to do. So I set off on an expedition to get myself trained as a mixed martial artist. I had no formal training or skill in mixed martial arts. I was attracted to MMA by the display of Jiu-Jitsu by the Gracie family, and that’s basically what I wanted to learn. I started with Brazilian Jiu-Jitsu. MMA was evolving, and other styles were becoming effective, so I added wrestling.
It was the grapplers/Jiu-Jitsu artists that were the most effective in the beginning, then the wrestlers followed by the strikers. Therefore, I added the boxing last as the sport and I evolved.
I trained and competed in all the styles I practiced. My total experience in Jiu-Jitsu is about 130 grappling / Jiu-Jitsu bouts, 15-20 bouts in freestyle wrestling, 10 amateur boxing matches and one professional. My MMA record is now 13-2, plus the three exhibitions bouts I had when I was on The Ultimate Fighter. That totals 18 MMA fights.
I developed the skills and experience by training and competing in the individual sports. It would be very hard to go out there and become a mixed martial arts fighter without the specific experience. So I trained specifically to acquire those skills.
Congratulations on your 9-0 record so far in the UFC, by the way. I watched your last couple of fights in preparation for this. I’m interested to know where you think you’re strongest as a fighter.
I train Jiu-Jitsu, wrestling, boxing and Muay Thai. But I’m mostly known for my Jiu-Jitsu skills because that’s where I have given the greatest display. However, I address and work on everything equally.
What does your average week of training look like?
It’s a very gruelling and intense training schedule. I train three times a day from Monday to Friday, and I usually train once or twice on the weekends.
Does that amount of training increase in the lead up to a fight or do you keep it steady, even up to the day before the fight?
Training is usually six to eight hours a day, which remains constant right up to fight week.
That seems to be working for you. You’ve been with guys like Eddie Bravo and Leonard Gabriel since November 2008. How important do you feel your team is to your success so far?
Very important. They believe in me and I have faith in them. They’re guiding the ship. They’re as much a part of it as I am.
I’ve seen you say that by the time you’re fighting, when you’re in the ring, you’re calm and there’s nothing frightening or surreal about it. Is there any difference between training in a gym with your team and fighting in front of 20,000 people? Is there a different kind of mindset required or do you feel it’s the same?
No, you train day in and day out for that moment. All scenarios, possibilities, techniques and strategies are covered in training that will be executed in the fight. On fight day the work has already been done – the training is harder than the fight because so much was done in preparation for the fight.
What happens after a UFC match, George? As the winner, do you now meet with the officials and they decide your next match, and who you’re fighting next?
I’ll be informed of who and when I will fight next. My team and I will study the opponent, run strategies, scenarios and address his strengths and weaknesses.
There’s some chatter about trying to get your next UFC fight to happen in Melbourne, but MMA events are currently banned in Victoria. Do you know why?
Not sure why they’re banned, but I have been present at several sanctioned MMA events in Melbourne which were held in a boxing ring, not a cage. So it might be a technicality.
There’s too many reasons why MMA and the UFC will be held in Melbourne. First, it is a legitimate, credible and regulated sport. Secondly, the boost which it will give the local economy is too substantial to be ignored; our economy needs everything it can get, along with the international exposure that comes from the events.
Why do you think that some people have a problem with mixed martial arts fighting?
There’s a misconception from some journalists, writers, politicians and other public groups. The sport has comes a long way since it started back in 1993. The sport now has weight classes, time limits and is strictly regulated, supervised and judged by professionals.
Rules have been introduced, there’s structured ways of competition, fighter safety is paramount, and it’s a professional sport. MMA combines all the elements of the Olympic stadium events; amateur boxing, taekwondo, freestyle wrestling, Greco roman wrestling and judo. These styles are the make up and blueprint of MMA.
MMA should be accepted and regulated because it is a bi-product of Olympic sports. Furthermore, MMA was in the ancient Olympics, originally named Pankration. There is a long history; we are witnessing the rebirth of true combat sports.
To me, it’s one of the purest forms of professional athletic endurance. It’s just two guys in a ring using their training to take the other one down. There’s not much more to it.
That is part of it. In a street fight, anything goes. People can utilise any object as a weapon; they can literally take a person’s life. MMA is a sport with technique. The only way you’re going to win is utilising real skills and technique, from boxing, taekwondo, muay thai, wrestling, judo, jiu jitsu and any other martial art style out there. Skill is effective, not brutality. There is no such martial art or style called ‘street fighting’, only the wild imaginations of thugs and misinformed politicians and writers.
That’s the big misconception; people don’t understand. It’s a new sport which only been around for 20 years. People are not fully informed about the facts, so that’s why people jump the gun. But that’s going to change. UFC is the fourth most viewed sport in the U.S.A. It’s huge. Pay-per-view’s in the millions, and up to 20,000 in attendance at events. It’s mainstream now. Australia follows the same trends as the western world whether it be sports or any other professional field.
Your Sydney fight in February at the Acer Arena (UFC 110) was huge. It set the merch record for the venue, beating out Iron Maiden. The fact that obviously it sold out quickly indicates that there’s obviously an audience for it, and it’s turned mainstream. Do you see yourself as an ambassador for MMA in Australia?
Definitely, I’m one of Australia’s leading competitors representing my country. It’s also my responsibility to educate the Australian community and provide insight about the sport. It’s a safe and regulated sport. Safer than the boxing, muay thai, or kick boxing which have been around for decades. MMA is safer because of the wrestling and grappling components. Consequently, resulting in less striking during bouts and training which means less head trauma.
Why do you think people are attracted to watching UFC, and MMA in general?
To quote Dana White, the president of the UFC: fighting is in our genes. People are naturally attracted to fighting. This is the ultimate form of fighting, so naturally people are going to be attracted to it. Fighting has been a part of human evolution; we evolved fighting, dating back to caveman. That’s why it’s in our instincts. Finally, it’s definitely the most exciting sport and it sells itself. The presence of striking, grappling, and wrestling makes for exciting action.
Can you describe the feeling once a fight begins?
You must prepare for all scenarios; standing, ground, the clinch, submissions, striking with your hands, elbows, knees and feet. You’ve got to be prepared for everything. All bases must be covered.
It’s exciting. The offense can come from just about anywhere. The only way I can describe mixed martial arts is navigating through an asteroid field, asteroids coming from any direction. You’ve got to be ready for everything.
Outside of fighting, George, do you have any vices? Do you drink, smoke, play video games?
I do not drink. But I will have a glass of wine after my fight. Mostly, I just like training and fighting, and not much else. It’s a full-time commitment. When I’m not training I’m preparing to train or getting ready for a week of training, which it leaves little time for anything else.
One last thing. There’s a bit of a misconception that anyone who pursues professional fighting generally isn’t an educated person, but when researching you I was interested to find that you had a business degree. You’re clearly very articulate and well spoken.
A lot of the fighters who are in this sport have college degrees. So you can’t stereotype people because of the misconception of fighting being done by the poorer or underprivileged classes in society.
In my case, I went to school, graduated, have a degree and associate diploma. I worked in finance, shipping and various other professions growing up. I chose MMA because it’s what I enjoy and love doing. It’s also my obligation and duty to represent it professionally since I am representing my country.
Congratulations on your success so far, George. I wish you more of it.
Thank you.
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For more on George Sotiropoulos, visit his website.
The above transcript appeared in edited form for a story in the September 2010 issue of Australian Penthouse – read it here.
I’ve embedded a video of George’s UFC highlights below, but since UFC generally aren’t too keen on allowing their footage to appear on YouTube, I can’t guarantee it’ll stay up for long.
I’ve 
Your Sydney fight in February at the Acer Arena (UFC 110) was huge. It 