All posts tagged album-review

  • The Vine album review: Foals – ‘Total Life Forever’, May 2010

    An album review for The Vine.

    Foals - 'Total Life Forever' album coverFoalsTotal Life Forever

    There’s an elephant in the room, and it’s named ‘Spanish Sahara‘. This is the name of the first single released from the second Foals album, Total Life Forever, and it’s a heart-melter. It’s all the more remarkable considering that this British quintet’s first release, 2008’s Antidotes, was characterised by dancefloor-ready beats, an abundance of needly hammer-on, pull-off riffs and an affinity with the sub-genre of ‘math rock’.

    ‘Spanish Sahara’ sits in the album’s centre; in turn, it forms the beating heart of Foals’ revised artistic direction. In stark contrast to their previously-accessible singles, the epic song’s payoff occurs over halfway into its seven minutes. Singer Yannis Philippakis urges listeners – and himself, perhaps – to “Forget the horror here / Leave it all down, here / It’s future rust, and then it’s future dust”, as the song slowly builds upon a sparse introduction to climax amid an ethereal lead guitar melody, thundering tom rolls and, ultimately, a somber, circular synth pattern. Though I’m loathe to draw parallels to a younger, less accomplished act, the song’s ascending arrangement can be charted in a similar manner to The Temper Trap’s ‘Sweet Disposition‘. Whether this song will scale those same dizzying heights of ubiquity – yes, unlikely – remains to be seen. But as an artistic statement, ‘Spanish Sahara’ is peerless among indie pop circa 2010.

    Full review at The Vine.

    This is only just behind Crystal Castles in album-of-the-year-so-far terms. I love it. Please watch ‘Spanish Sahara’ below.

  • Mess+Noise album review: Hits – ‘Living With You Is Killing Me’, May 2010

    An album review for Mess+Noise.

    Hits - 'Living With You Is Killing Me'HitsLiving With You Is Killing Me

    Pay no attention to the cover, which overlays the band name in all-caps so the eye’s tricked into reading “shit” ad nauseum. Ignore the band name, for they have no hits. Though this is music born from the Sunshine State, its content is better suited to nighttime debauchery. Which is why a comparison between Brisbane five-piece Hits’ debut and Fun House is apt for two reasons: Hits once covered that Stooges classic in its entirety, and I’m loathe to use anyone other than Iggy Pop as the reference point for frontman Evil Dick’s throaty, whiskey-tinged holler.

    This is a big, dumb rock record done well. It sees the band offset masculine overtones by placing guitars in the hands of two capable women – Butcher Birds’ Stacey Coleman and former Gazoonga Attack member Tamara Bell – who double as back-up singers at opportune moments as well. Take the opener, ‘Fuck The Needy’, for example, where the pair erupt with an unexpected, hair-raising call of, “Nothing succeeds like success!”

    Full review on Mess+Noise. Check out the band on MySpace. They’re good.

  • The Vine album review: The Optimen – ‘The Out Of Money Experience’, May 2010

    Brisbane hip-hop crew The OptimenAn album review for The Vine.

    The Optimen – The Out Of Money Experience

    I tend to let most Australian hip-hop go through to the keeper. Not through a particular aversion to the genre, but because when I wrap my ears around a hip-hop release, I want to be inspired. Motivated. Energised. Put simply, I want to hear something great. Which is why I paid attention when I saw that The Optimen had a new release due. Their first album, Boomtown – a term of endearment for their native city of Brisbane – was a class act. It stayed with me throughout the entirety of 2005; five years later, it remains a stellar effort. And though The Optimen did produce beats and record a couple of songs for some of their labelmates’ best work on 2007’s Red Tape Renegade Vol 1, this is Boomtown‘s true successor.

    Full review at The Vine. If you have any interest in Australian hip-hop, check out The Optimen on MySpace.

    It’s true that I don’t pay Australian hip-hop too much attention. If you’re involved with a hip-hop act, drop me a line to try and convince me.

  • The Vine album review: Crystal Castles – ‘Crystal Castles II’, May 2010

    Crystal Castles. Canadian electronica. An album review for The Vine.

    Crystal CastlesCrystal Castles (II)

    I’ll cut to the chase: though they share the same title, the second Crystal Castles album far outstrips their 2008 debut. Their sound is sharper, more focussed, more engaging. With this release, the Toronto-based duo – producer Ethan Kath and vocalist Alice Glass – confidently lay claim to a significant chunk of real estate between the complementary genres of glitch pop, noise and electronica. Crystal Castles II is a statement of intent, a challenge to their peers. In whole, it’s frighteningly good.

    Full review at The Vine.

    It’s been too long between album reviews for me. I’ve got to do more, to get better. So here I am.

    This is my favourite album of 2010 so far. Listen to some of it via We Are Hunted.