The Vine festival review: ‘Soundwave Festival Brisbane’, March 2012
A festival review for The Vine. Excerpt below.
Soundwave Festival
RNA Showgrounds, Brisbane
Saturday 25 February 2012After taking in last year’s festival, I wrote “The only question for Soundwave is: where to from here? Where do you go once you’ve booked [headliner] Iron Maiden? Metallica? AC/DC?”
Their answer was evidently ‘none of the above’. But the headliner is many hours away as we file into the Showgrounds just before the clocks strike 11am. The days preceding have seen heavy rain pelt Brisbane for extended periods, so it’s admirable that organisers have managed to greet us upon arrival with what appears to be a smoothly running festival. Ground staff are relying heavily on plastic matting to cover up the muddiest spots, and for the time being, the entire venue is easy to navigate with regular footwear while staying dry.
The sun shines overhead as I take up position before the metal stages, 4a and 4b, in anticipation of Finnish metal act Turisas. It seems they’re late; stagehands continue soundchecking, until twenty past, when they instead hoist the next band’s banner, The Black Dahlia Murder. Hundreds of disappointed people file out; nothing has been communicated to the audience as far as I can tell. (I later learn from a friend that they were moved to a midday slot at another stage.) A rare organisational hiccup, and not a good start to the day.
The sky breaks for the first time at 11.48am. I’m standing under a tree watching Chimaira, who sound OK. A little keyboard-heavy, which is odd for a metal band. Lots of blast beats and breakdown. There’s a heart-warming singalong to ‘Pure Hatred’ – namely, the chorus of “I hate everyone!” – while I apply my poncho for the first of many times today. The tent before stage 3 sees a sharp increase in visitors seeking shelter. Zebrahead are playing. Eh, pop-punk. The merch tent between the stages features the most impressive wall of shirts I’ve ever seen.
Out in the main arena, Stage 1 bears a banner that reads Pinkerton. Underneath, a band is playing Weezer’s ‘El Scorcho’. Turns out it’s Saves The Day halfway through playing that album in full. It’s weird, but their version is competent enough and I guess it’s much cheaper than booking Weezer. At stage 6a, CKY draw a couple thousand people before the rain returns at 12.50pm, scattering the casual observers and encouraging the dedicated throng up front to thrash harder. From a distance, it looks and sounds like they’ve got a different singer – his voice seems way off Deron Miller’s on-record delivery – but research afterwards suggests that Miller’s still in place. Just having a bad day, then. Their set is enjoyable enough, but most (all?) of these songs are 10+ years old. I referred to them as “a band seemingly near the end of their tether” in a review of their August 2010 tour, and I feel the same way today. Telling that the quartet don’t even bother with more recent or unreleased material; just the hits, thanks.
“So many good bands today, oh my god. Cannot believe that!” says the singer of French metal band Gojira from stage 4b. He’s right. It helps that his band kick arse. They’re one of the heaviest acts on the line-up, and one of the most anticipated by the metalheads: this is their first-ever Australian show, and they’ve drawn a big crowd to take in their seriously impressive and brutal sound. Sample song intro: “This song is about whales that fly… into outer space!” *crowd roars, horns raised* Apparently they only play for 20 minutes – four songs’ worth – which is disappointing, but in that short time they stand out as one of the day’s best acts. Friends have been recommending them to me for years, but today is my first exposure to Gojira. I’ll definitely be returning.
For the full review and many more photos, visit The Vine. Slipknot photo credit above: Justin Edwards. iPhone photo credit: Andrew McMillen.